Nikon Z6 | TTArtisan T&S 100/2.8 Macro 2X | f/2.8 (untilted) Nikon Z6 | TTArtisan T&S 100/2.8 Macro 2X | f/8 Nikon Z6 | TTArtisan T&S 100/2.8 Macro 2X | f/5.6 (stacked 2 images) Nikon Z6 | TTArtisan T&S 100/2.8 Macro 2X | f/2.8 (untilted) Nikon Z6 | TTArtisan T&S 100/2.8 Macro 2X | f/8 (stacked: 37 images) Nikon Z6 | TTArtisan T&S 100/2.8 Macro 2X | f/2.8 (tilted) Nikon Z6 | TTArtisan T&S 100/2.8 Macro 2X | f/2.8 (untilted) Nikon Z6 | TTArtisan T&S 100/2.8 Macro 2X | f/2.8 (tilted) Let’s see how it performs! Sample Images Nikon Z6 | TTArtisan T&S 100/2.8 Macro 2X | f/11 (stacked 68 images) Nikon Z6 | TTArtisan T&S 100/2.8 Macro 2X | f/2.8 (untilted) Nikon Z6 | TTArtisan T&S 100/2.8 Macro 2X | f/11 (untilted) Nikon Z6 | TTArtisan T&S 100/2.8 Macro 2X | f/2.8 (tilted) The advantage of this lens is that it also offers a 2x magnification instead of the traditional macro 1x magnification, and besides, it is a tilt and shift lens, good for architectural and product photography, not something you see every day. But of course, they also are good for compressed landscape images and candid photography. Being macro lenses, they can give you great magnification (2:1 in this case), and at the same time, they can also be used as portrait lenses. If you own this lens yourself, or have any questions concerning the Canon 100mm macro lens, feel free to leave your comments and reviews so other photographers can read a more in-depth viewpoint, from a wide range of experiences.Short telephoto macro lenses around 90mm-105mm are very popular and the market is crowded with them. If you own a Canon DSLR camera and are serious about photographing the small things in life, then this macro lens will be a very useful addition to your collection. This sweet spot is where you will see the sharpest photographs being taken. The sweet spot for the Canon EF 100mm f/2.8 macro lens, seems to be around f/11 to f/13 (aperture setting). If blurred backgrounds are often a priority when you’re out taking photographs, then this lens is definitely for you. The Canon 100mm macro lens made it easy to single out one orchid that is seen clearly in focus, yet blur any nearby background elements. On the other hand, the shallow depth of field can be a fantastic tool if your photographing things like flowers, where you may want to single out one from a bunch. This will ensure more of the image is in focus and create less blur in the background. Another way to handle the shallow depth of field is to increase the f stop, to say f/11 for example.The wings in that specific photo are not in focus, due to one being closer than the point of focus (body) and the other being further away in distance. If I had photographed this insect head on, the body would have been blurred, with only the head in focus. When taking the photograph, try and get as much of the subject within the exact same distance from the macro lens. For example, the image of the macro dragonfly above, is largely in focus due to both the body and head being the same distance from the lens.You can crop the photograph using an image software program like Adobe Photoshop, so that only the main focus is seen in the end result. Of course doing this, your final image will be much smaller than the original which may make it impossible to print in certain sizes.Instead, giving a more abstract view of the insect or flower, as shown in the photo below. Many macro photographers have come to expect an image where the object isn’t totally in focus. Firstly, you can get used to the extreme depth of field.It does take some time getting used to the shallow depth of field, especially when using an aperture setting of f/2.8.įirstly I found many of my photographs had too little depth of field, or in other words contained too much blur and not enough of the image in focus. Hints and tips for using a Canon EF 100mm f/2.8 macro lens Anyway as promised, here are a few examples of insect and flower close ups, so you can judge for yourself. If your after technical details, the Canon website has these listed already: Specifications for Canon EF 100mm f/2.8 Macro lens. Numerous SLR camera magazines and books have also listed it amongst one of the best for portrait photography as well. As you can see this is one of Canon’s sharpest lenses, as recognized by many professional photographers. Shown below are a few examples of the types of images, as well as the quality you can expect to photograph with the canon 100mm macro lens. Especially when it comes to photographing small objects, insects and flowers. As it’s turned out, I couldn’t be more happier with the Canon EF 100mm f/2.8 Macro lens. I purchased this lens early on in my photography experience and am glad I had a shop assistant who pointed me in the right direction.
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